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Ecological design
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Ecological design : ウィキペディア英語版
Ecological design

Ecological design is defined by Sim Van der Ryn and Stuart Cowan as "any form of design that minimizes environmentally destructive impacts by integrating itself with living processes."〔Van der Ryn S, Cowan S(1996). “Ecological Design”. Island Press, p.18〕 Ecological design is an integrative ecologically responsible design discipline.
It helps connect scattered efforts in green architecture, sustainable agriculture, ecological engineering, ecological restoration and other fields. The “eco” prefix was used to ninety sciences including eco-city, eco-management, eco-technique, eco-tecture. It was used by John Button in 1998 at the first time. The inchoate developing nature of ecological design was referred to the “adding in “of environmental factor to the design process, but later it was focused on the details of eco-design practice such as product system or individual product or industry as a whole.〔Anne-Marie Willis (1991), “An international Eco Design” conference〕
By including life cycle models through energy and materials flow, ecological design was related to the new interdisciplinary subject of industrial ecology. Industrial ecology meant a conceptual tool emulating models derived from natural ecosystem and a frame work for conceptualizing environmental and technical issues.
Living organisms exist in various systems of balanced symbiotic relationships. The ecological movement of the late twentieth-century is based on understanding that disruptions in these relationships has led to serious breakdown of natural ecosystems. In human history, technological means have resulted in growth of human populations through fire, implements and weapons. This dramatic increase in explosive population contributed the introduction of mechanical energies in machine production and there have been improvements in mechanized agriculture, manufactured chemical fertilizers and general health measures. Although the earlier invention inclined energy adjusting the ecological balance, the latest population growth after industrial revolution led to change ecology abnormally.〔John McHale (1969), “An Ecological Overview”, in The Future of the Future, New York; George Braziller, pp.66-74〕
==Ecological design issues and the role of designers==
Since the Industrial Revolution, many propositions in the design field were raised with unsustainable design principles. The architect-designer Victor Papanek suggested that industrial design has murdered by creating new species of permanent garbage and by choosing materials and processes that pollute the air.〔Victor Papanek (1972), “Design for the Real World: Human Ecological and social change”, Chicago: Academy Edition, ix.〕 For these issues, R. Buckminster Fuller, who was invited as University Professor at Southern Illinois University in Carbondale in 1960s, demonstrated how design could play a central role in identifying major world problems between 1965 and 1975. That included following contents:〔Victor Margolin (1997), “Design for a Sustainable World”, Design Issues, vol14, 2. pp. 85〕
*Review and analysis of world energy resources
*Defining more efficient uses of natural resources such as metals
*Integrating machine tools into efficient systems of industrial production
In the 1992 conference, ‘The Agenda 21: The Earth Summit Strategy to Save Our Planet”, a proposition was put forward that our world is on a path of energy production and consumption that cannot be sustained. The report drew attention to Individuals and groups around the world who have a set of principles to develop strategies for change that might be effective in world economics and trade policies, and the design professions will play a role in it. Namely, those meant that design profession becomes not what new products to make, but how to reinvent design culture likely to be realized. He noted designers firstly have to realize that design has historically been a dependent, contingent practice rather than one based on necessity. The design theorist, Clive Dilnot noted design becomes once again a means of ordering the world rather than merely of shaping products.〔Clive Dilnot (1982), “Design as a Society Significant Activity: An Introduction”, Design studies 3:2. pp.144〕 As a broader approach, the conference of ‘Agenda 21: The Earth Summit Strategy to Save Our Planet’ 1992, emphasized that designers should challenge for facing human problems. These problems were mentioned to six themes: quality of life, efficient use of natural resources, protecting the global commons, managing human settlements, the use of chemicals and the management of human industrial waste, and fostering sustainable economic growth on a global scale.〔Victor Margolin (1988), “Design for a Sustainable World”, Design Issues, vol14,2. pp. 91〕

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